THE MAGNIFICENT DEAD Comes to DVD, Blu-ray and VOD Worldwide via SGL Entertainment

SGL Entertainment is pleased to announce that they have just released THE MAGNIFICENT DEAD an epic western horror film. With a budget of more than a million dollars, this movie has been waiting for more than seven years to be released, but now the wait is over.

Directed by Shane Scott and starring Alexis Celeste Elliott, Jack Wilson, Lavelle White, David Lampe, Gilbert Austinamie Teer, Ric Maddox, Ayla Judson, Venda D’Abato, Sam Anderson, Margaret Hoard, Rick Perkins, John Arkinson, Steve Uzzell, Fred Ellis, Mark A. Hernandez, Joseph Fotinos, Chaille Stidham, Michael Sorrells, Julian Haddad, Karl Anderson, John Weathers, Marita De La Torre, Christian Haddad, Adam Simon, Kale Peel, David Dalke, Donald P. Mcwary, Kodie Nagy, Cal Skinner, Walt Roberts, John T. Monk, Crissi Rocha, Georgia Parsons and Linda Almanza

Watch the Movie Trailer:

SYNOPSIS: The Magnificent Dead takes place in the 1870’s in the small Texas town of Rosewood where local rancher Jared Hamilton and his men have declared war on the town, using fear and death to prevent a new railroad line from coming through. Guided by a priest, Father Julian the desperate town leaders decide to hire a group of six gunmen to help clean up the town. These gunmen are legendary, as they are afflicted with Leprosy and fight with reckless abandon and ruthlessness, for they have nothing to lose, as they are already dead.

The movie is now available on Blu-ray and DVD at all major online retailers like Walmart, Best Buy, Target, etc… as well as Amazon Prime and Google Play via our Distribution partners MVD Entertainment, Allied Vaughn and Indie Rights Movies.

For More Info and Purchase Options on THE MAGNIFICENT DEAD Go To:

www.sglmoviestore.com/horror/the-magnificent-dead

For More Info on SGL Entertainment Go To:

www.sglmoviestore.com

STILLS FROM THE MOVIE:

by Stephen Goldstein / Publisher / Editor / Writer

Watch JEZEBETH 2 HOUR OF THE GUN Today with VIMEO ON DEMAND:

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World Permiere of ROCK THE NIGHTLIFE by UNBREAKABLE on the Streets of Rock and Roll Radio Show Hosted by Ron Keel

Ron Keel and the Steets of Rock and Roll

German Rock Band UNBREAKABLE make their Worldwide Radio Premiere on this week’s edition of
“Streets Of Rock & Roll” the acclaimed radio show hosted by Ron Keel and currently airing on over
50 FM/AM/online stations worldwide. www.StreetsOfRockNRoll.com

UNBREAKABLE

Herman Rarebell

Herman Rarebell

UNBREAKABLE’s debut album “Knockout” was produced by longtime “Scorpions” drummer and songwriter Herman Rarebell and will be released July 29th on Dark Star Records. Rarebell himself makes an appearance on Keel’s radio show to talk about the band and their music: “I feel like they have what it takes to go all the way, and they remind me very much of the Scorpions when we were young and first came to the United States,” he proclaims during the exclusive interview which can be heard in its entirety at:

www.StreetsOfRockNRoll.com

A complete list of affiliate stations and airtimes is also online there. Keel’s one-hour weekly broadcast often features the latest music from rock legends as well as giving the new generation of arena rockers a chance to be heard; another bright young star featured on this year’s Monsters Of Rock Cruise, 15 year-old Gabbie Rae, will be heard on the radio for the first time on this week’s episode of the show. “It’s important to acknowledge those acts – like Scorpions – who blazed the hard rock trail for all of us,” Ron states, “but it’s equally important to support acts like Unbreakable and Gabbie Rae who are the future of this music.”

KNOCKOUT by UNBREAKABLEBuy the New Album KNOCKOUT
From UNBREAKABLE Today!!!
This Special Pre-Release Album
is Available Now!!!
And Comes with a Custom
Bottle Opener Key Chain!!!

Buy it at: www.DarkEntityMusic.com

www.unbreakable-music.com
www.facebook.com/unbreakable.music

 
 
 
 
 

by Jeffrey A Swanson / Publisher / Editor / Writer

IndieFlix

The Walking Dead and Americas Fascination with Zombies

The Walking Dead

“The Walking Dead” on Sunday nights, and while the horror show was notably snubbed by the Emmy people (just one nomination, for makeup) it’s a ratings monster for network AMC. It isn’t just the network’s top rated show, or one of the top-rated shows on cable. It’s one of the top rated shows on television period, and while the Emmy adulation went to “Breaking Bad,” even that dark show can’t match the ratings for “The Walking Dead.” What makes “The Walking Dead” different lies in the humanity at the center of this show about monsters. It isn’t really about special effects or the supernatural. It’s about a small-town sheriff, a battered wife, a pizza-delivery boy, a backwoods hayseed, and a God-fearing farmer. At its heart, “The Walking Dead” is a show about a group of ordinary people trying to survive in a world that has suddenly and violently changed on them. That resonates in a nation where millions of people have had their lives suddenly and violently changed over the past five years. That’s right–this show about zombies hits home because it echoes the terror many of us feel about our jobs, Wall Street and Washington. “It’s like a mirror of how we evolve through life,” said Melissa McBride, who plays Carol Peletier, said of the show. “How do we deal with these circumstances that aren’t compatible with the way things were? How do we boot back up and survive?” The signs of economic distress are still evident, even four years after the recession’s official end. Nearly 70% of Americans are still living paycheck-to-paycheck, still living in a situation where a job loss spells an immediate crisis. There are millions of people still considered “long-term unemployed,” whose odds of getting another job drop every day they’re unemployed. Millions more have simply quit the labor force, given up even looking for a job anymore. Their numbers are at generational highs.Wage growth overall has risen since the recession’s depths, but the vast majority of those gains have gone to a disproportionately small group at the top. For most people, their wages still haven’t recovered. Look, we don’t want to overstate this case. The biggest reason “The Walking Dead” is so popular is because it’s a very well produced, acted, and written show. The series captivates viewers with its unrelentingly gore, and the way it takes special joy in dreaming up new, horrifying ways to scare its viewers (and kill off its terrified characters). But is it any wonder the travails of a group of bedraggled survivors resonate in a nation where so many have been under duress for so long? For the characters on the show, the challenge is learning how to live in a new (and terribly dangerous) world. For Ms. McBride personally, the show has changed her life, since it’s the first time she’s ever been part of a regular cast. Speaking of herself and her character on the show, Ms. McBride said “she and I have both had to take, it seems like, a really sharp curve, a really hairpin turn in our lives that we’ve had to navigate very carefully. There are parts of me I have to shut down and reboot.” “All of us see something in these people,” said Dr. Joanne Christopherson, a social sciences professor at the University of California Irvine, and one of four professors running an online course this fall dedicated to exploring the world of “The Walking Dead.” To Christopherson, the show is about far more than just zombies. It’s about a group of people under incredible strain, and how they respond to that strain. She credited the writers, as well, for getting a lot of the social interactions right. “The writers did their homework.” The characters on the show aren’t perfect, they aren’t noble. They make mistakes; Rick Grimes, the central character, she noted, makes mistakes that nearly get his entire group of followers killed. “I think the zombies are a plot device,” she said. Over the course of the show’s first three seasons, the characters – the ones that haven’t been killed at least – have all changed dramatically, and none more so than Ms. McBride’s Carol, who went from being a battered wife in the opening episodes, to becoming one of the leaders of the survivors’ group. But even adapting to a new world doesn’t insure survival – for the character or the actor. There is no show that puts its characters at risk as much as “The Walking Dead.” The body count is high. Through its first three seasons, the writers have killed off a number of main characters. It lends a tremendous amount of realism to the show, but it’s not something Ms. McBride thinks about very often. “From day one,” she said, “I didn’t know if I’d survive an episode. So you’re grateful to live another day, and that’s the message of this show and of life. That’s a message that hits people, especially when so many can’t see what tomorrow will bring.

The Walking Dead

The Walking Dead

STANFORD SCHOLAR EXPLAINS WHY ZOMBIE FASCINATION IS VERY MUCH ALIVE

“Kelsey Geiser” Stanford University

From the popularity of violent video games to the skyrocketing appeal of the zombie thriller TV show The Walking Dead, it seems like everyone is talking – at least in pop culture circles – about the apocalypse. The fascination with the end of the world, says Stanford literary scholar Angela Becerra Vidergar, can be traced to the advent of nuclear warfare during World War II. Our collective visions of the future changed drastically after the horrific events of Hiroshima and Nagasaki, explains Vidergar. Mass destruction became a reality and the terrible violence of the Holocaust and other WWII events brought up disturbing realizations about the human capacity for violence. We no longer necessarily “imagine the type of positive future that was more prevalent in centuries past, for example, during the Enlightenment or the Industrial Revolution,” said Vidergar. Vidergar explores these themes in her doctoral dissertation, Fictions of Destruction: Post-1945 Narrative and Disaster in the Collective Imaginary. As part of her research, Vidergar, a doctoral candidate in comparative literature, examined mass disaster stories in books, television, advertisements and movies. She found that the events of the 20th century, “along with movements to increase environmental awareness,” have caused a lot of doubt about the consequences of our development as modernized societies, and “instead we are left with this cultural fixation on fictionalizing our own death, very specifically mass-scale destruction.” According to Vidergar, “We use fictional narratives not only to emotionally cope with the possibility of impending doom, but even more importantly perhaps to work through the ethical and philosophical frameworks that were in many ways left shattered in the wake of WWII.” Through her dissertation, Vidergar has come to the question of how we generally engage with history in our everyday lives, and how this manifests itself in our culture: “How does it affect our ability to act in the present or our inability to act in some ways, and even more importantly, how we can imagine the future?” “In a way, survivalism has become a dominant mode of self-reference for a greater number of people,” said Vidergar. “You see that in the obsession in apocalypse and disaster in the fictional stories we tell. Furthermore, it is not only the survival of ourselves as individuals that we are concerned with, but the survival of entire communities – even humanity as a whole.”

Peace after war

Despite the fact that people resolved to make the world a more peaceful place after they witnessed the atrocities of nuclear war, Vidergar believes most would agree that this has not turned out be the case. “There have been other atrocities, other genocides and other disasters,” said Vidergar. “We are still struggling to answer those questions of what it means to be human and not only prepare ourselves for new threats, but also deal with those past horrors and disasters in our present and future.” The idea that humans could be nearly extinct or extinct has become a lot more prevalent, but Vidergar says disaster narratives do not necessarily portray this as a negative. “It is very frightening, but there is a kind of freedom in thinking about starting anew,” said Vidergar. “I think that we still want to think that we would be a phoenix rising from the ashes, that we would do things differently – that we would rebuild and make the world a better place.”

The intrigue of survivalism

The drive for survival can be said to be an inherent attribute of mankind. However, in recent decades there has been increased interest in survivalism as a movement of individuals or groups to actively prepare for disaster. Vidergar has identified a clear increase over the past century in the portrayal of post-apocalyptic worlds in television, movies, books and graphic novels among other media – disaster scenarios brought about by events such as nuclear explosions, pandemics or the proliferation of horrific creatures. While disaster fiction has existed for centuries, Vidergar points out in her research that it is the nature and scale of destruction that is particular to the cultural milieu since the mid-20th century. She has found that many of these fictions are clustered around crisis points like the post-WWII decade and the years since the September 11, 2001, terrorist attacks. “The spikes in our interest in survivalism and disaster around these time nodes suggests these events are catalysts for the formation of a collective imaginary of destruction,” Vidergar said. “That imaginary reveals itself in cultural products like literature, films and video games.” “Traumatic events,” she added, “trigger discernible shifts in what we are able to imagine our future to be and how we should consequently act in the present to address those threats. Since the events of the 20th century and beyond, what we imagine doesn’t look so good.”

Hope, despair and the art of survival

While scholars have linked the intrigue of zombies to a manifestation of consumerism, Vidergar says that cultural manifestations of horror, no matter how realistically unbelievable, are a “testament to people’s desire to not only survive, but even possibly improve the world in the face of a seemingly impossible situation.” During a presentation for colleagues at the Graphic Narrative Project, a Theodore and Frances Geballe Research Workshop at the Stanford Humanities Center, Vidergar discussed the findings of the final chapter of her thesis, which cites The Walking Dead as one of many cultural examples of how apocalyptic fascination helps us process the increased sense that human extinction could become a reality. A pivotal moment in The Walking Dead cable series is when the protagonist proclaims, “We are the walking dead!” Vidergar believes that this comment really defines what the series and fascination is truly about. Although menacing zombies take center stage in nearly every scene of the fictitious drama, Vidergar asserts that zombies are not actual subject of the series. “Zombies are important as a reflection of ourselves,” said Vidergar. “The ethical decisions that the survivors have to make under duress and the actions that follow those choices are very unlike anything they would have done in their normal state of life.” Based on a comic book series, the show, Vidergar said, “allows the audience to work through some of those difficult, threatening ethical dilemmas, or to think about their own capacity for survival. What character would I be like? What would I be willing to do in order to survive?” Although Vidergar’s research has focused on terror, destruction and death, she still sees evidence in her work of optimism about the future. “There is this glimmer of hope that I am really interested in,” said Vidergar. “Even if as a society we have lost a lot of our belief in a positive future and instead have more of an idea of a disaster to come, we still think that we are survivors, we still want to believe that we would survive.” Written by Kelsey Geiser Stanford University

HERE IS A BEHIND THE SCENES LOOK AT “THE WALKING DEAD” SEASON 4

The Walking Dead

The Walking Dead

by Jeffrey A Swanson / Publisher / Editor / Writer

 

NOW AVAILABLE ON BLU-RAY “WORLD WAR Z” CLICK ON THE IMAGE BELOW TO BUY IT NOW

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“Love” it’s a Shot in the Dark, Music Video World Premiere

"Love" it's a Shot in the Dark

Photo by Mona Marie

Photo by Mona Marie

This is the first “single” ever released by Singer and Guitarist Jeff Swan. The song is about the hard Life of a street girl and was written and recorded in the 1980’s. Jeff Swan layed down both the guitar and the bass tracks as well as the Vocals, while Producer Brian Eatin played the drums. The song was recently released on Dark Star Records and Sony Music Entertainment, and can be Purchased from iTunes:

www.itunes.apple.com/us/album/love-its-a-shot-in-the-dark/id274301707

The Music Video, “Love” it’s a Shot in the Dark by Jeff Swan is Now Playing at Vimeo On Demand. Watch the entire video in full HD and Download it to keep forever:

www.vimeo.com/ondemand/jeffswan

Street Girls

by Jeffrey A Swanson / Publisher / Editor / Writer

 

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NOW AVAILABLE ON BLU-RAY “JEZEBETH” CLICK ON THE IMAGE BELOW TO BUY IT NOW

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Get Your Music In The Movie Jezebeth 2 Hour of the Gun

Jezebeth 2 Hour of the Gun Ultimate Band Contest

SGL Entertainment and Sonicbids in association with Satania 6 Films, Dark Star Records and R-Squared Films have launched the ultimate band search. This contest seeks one artist that will win a film deal to be included in the movie and on the soundtrack to the full length vampire western horror film JEZEBETH 2 Hour of the Gun. The movie stars Ana Santos, Jennifer Bartolini, Gracie Serrano, Reyna Rios, Ruby Gonzalez, Nelly Souders, Drake Mefestta, Ray R. Wise, Gwen Bartolini, Frank Warpeha, Skylar Serrano, Ian Serrano, Pinelope Love and Stephanie Lison. The movie is written directed and produced by Damien Dante and is co produced by Jeffrey A. Swanson. The original motion picture Jezebeth starring Bree Michaels is now available worldwide on Blu-Ray via SGL Entertainment and R-Squared Films as well as iTunes Movies, Google Play, Amazon Videos On Demand, YouTube Rentals and dozens of other media outlets. Jezebeth is also available on the DVD called Super Pack Vampires. Original Sonicbids Winners Avery Watts, Edens Curse, Pamela Moore and Lizette from our first contest are currently featured in the movie Jezebeth and on the soundtrack. And, “Now” we are looking for one lucky winner “all styles of music” to be featured in the “End Credits” of the movie and on the soundtrack to the full length vampire western horror film JEZEBETH 2 Hour of the Gun.

The Deadline for the contest is June 15th, 2013. Here is the official link for the contest

http://www.sonicbids.com/Jezebeth2

Jezebeth 2 Hour of the Gun

Jezebeth 2 Hour of the Gun

Jezebeth 2 Hour of the Gun

Jezebeth 2 Hour of the Gun

This contest is presented by Sonicbids the number one provider of EPK services.
Sonicbids Connects Bands & Music Promoters – Book Gigs and Bands at Sonicbids

http://sonicbids.com

For more info on the movie Jezebeth 2 Hour of the Gun go to

http://jezebeth.com

by Jeffrey A Swanson / Publisher / Editor / Writer

 

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Behind The Scenes Of The “Evil Dead”

Evil Dead

Evil Dead

Evil Dead

Go behind the scenes of the most talked about horror film of the year the “Evil Dead”. The movie came out killing at the box office with over 27 million in sales on it’s first weekend. Ghost House Pictures produced the much anticipated remake of “The Evil Dead” which is a 1981 cult classic American horror film written and directed by Sam Raimi, and starring Bruce Campbell, Ellen Sandweiss, and Betsy Baker. The remake titled “Evil Dead”, co-written by Raimi and produced by Raimi, Campbell and The Evil Dead producer Robert Tapert has a hot new cast and stars Jane Levy (“Suburgatory”) as Mia; Shiloh Fernandez (Deadgirl, Red Riding Hood) as David; Lou Taylor Pucci (Carriers) as Eric; Jessica Lucas (Cloverfield) as Olivia; and Elizabeth Blackmore (Legend of the Seeker) as Natalie.

Synopsis: In the much anticipated remake of the 1981 cult-hit horror film, five twenty-something friends become holed up in a remote cabin. When they discover a Book of the Dead, they unwittingly summon up dormant demons living in the nearby woods, which possess the youngsters in succession until only one is left intact to fight for survival.

Evil Dead has been rated R for strong bloody violence and gore, some sexual content and language. Now, go on the set with the producers, cast and crew to see how this 17 Million dollar movie was made. “Evil Dead” Behind the Scenes Part 1 and 2.

by Jeffrey A Swanson / Publisher / Editor / Writer

 

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Ali Chapman Hits it Big With Freakshow and The Hostile Takeover

The Amazing Ali Chapman

Freakshow

The Hostile Takeover with The Amazing Ali ChapmanActress Ali Chapman has had quite a year, landing a major role on AMC’s Freakshow and playing one of the main characters in the Jay Davis movie “The Hostile Takeover” an SGL Entertainment / R-Squared Films Release. A Native of Indianapolis, Indiana and now Living in Los Angeles California the “Amazing Ali” Chapman stands three feet, 5 inches tall and recently married Matt McCarthy 4-foot, 2-inches. The wedding took place on the Freakshow and has caused quite a sensation. The future looks bright for Ali Chapman, The Freakshow and her full length feature film The Hostile Takeover which will be coming out on cable TV and DVD later this year via SGL Entertainment and R-Squared Films.

For More Info On Freakshow Go To:

http://www.amctv.com/shows/freakshow/cast/amazing-ali

For More Info On The Hostile Takeover Go To:

http://www.sglmoviestore.com/comedy/the-hostile-takeover

by Jeffrey A Swanson / Publisher / Editor / Writer

The Projectionists Sign With Dark Star Records

Jimmy Barnes Photography

Jimmy Barnes Photography

Dark Star Records is pleased to announce that they have just signed a deal with the progressive experimental band “The Projectionists”. This Young Aurora based band have already caused quite a stir with their trippy psychedelic music, somewhat reminiscent of “The Doors” and “Pink Floyd” but with their own true original dark alternative sound. Dark Star Records will be releasing the EP “Dysphoric Illuminations” in the spring of 2013. The New EP is Produced by “Eric Wagner” and will be available worldwide via Dark Star Records and Sony Music.

Jimmy Barnes Photography

Jimmy Barnes Photography

The band will be performing a special All Ages show at The “House of Blues” in Chicago Illinois on March 24th, 2013. Here is the official lineup for the concert:

House of Blues8:45-9:30 – Spectators
8:00-8:30 – The Projectionists
7:15-7:45 – Parallels & Lies
6:30-7:00 – Savior Self
5:45-6:15 – Johnny Rockette
5:00-5:30 – Kilpatrick

For details and ticket info go to:

http://www.facebook.com/events/491417250920300

The Projectionists are: Jon Wagner-Rhythm Guitar\Vocals, Bryan Ramirez-Drums\Percussion, Daniel Silva-Lead Guitar, Andrew Shoyer-Bass Guitar

Dysphoric Illuminations

 

 

For more Info on the band “The Projectionists” Go To:

Facebook:

http://www.facebook.com/the.projectionists.music

Reverb Nation:

http://www.reverbnation.com/theprojectionistsil

Dark Star Records:

http://www.darkstarrecords.com

by Jeffrey A Swanson / Publisher / Editor / Writer

Jennifer Love Hewitt Sizzles in The Client List

Jennifer Love Hewitt

Jennifer Love Hewitt sizzles in season two of “The Client List” on the Lifetime Network. There has been a great deal of Controversy over how far Jennifer would go with filming in the nude. I guess we will find out in season two. Jennifer Love Hewitt (born February 21, 1979) is an American actress, producer, author, television director and singer-songwriter. Hewitt began her acting career as a child by appearing in television commercials and the Disney Channel series Kids Incorporated. She rose to fame in teenage popular culture in her roles in the Fox series Party of Five as Sarah Reeves Merrin, and films I Know What You Did Last Summer and its sequel as Julie James.

 

Hewitt starred on the hit CBS television program Ghost Whisperer as Melinda Gordon, for which she won a Saturn Award in 2007 and 2008 for Best Actress on Television. She was also nominated for a Golden Globe Award for her original television movie The Client List. In addition to acting, she has served as a producer on some of her film and television projects. As a singer, Hewitt has been signed by Atlantic Records and Jive Records, and is primarily known for her recordings in the pop genre. Her most successful single on the Billboard Hot 100 is the 1999 release “How Do I Deal”, which peaked at No. 59. She has also contributed music to the promotion or soundtracks of acting projects. She was identified as the “#1 reader choice” on the November 1999 and May 2009 covers of Maxim Magazine.

Jennifer Love Hewitt / Maxim Magazine

Jennifer Love Hewitt / Maxim Magazine

 

by Jeffrey A Swanson / Publisher / Editor / Writer

 

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SGL Entertainment Secures DVD, Cable TV Deal For “THE HOSTILE TAKEOVER”

The Hostile TakeoverSGL Entertainment has partnered up with R-Squared Films and have signed a deal to release what could be one of the funniest, over the top independent films of the decade “The Hostile Takeover”. The Film was Written and produced by J Davis and directed by Johnny Coughlin and was filmed in the Chicagoland area. The movie will be released later this year on Comcast Cable plus other Television Networks, and will also be available in the US and Canada on DVD via R-Squared Films. The Hostile Takeover is a tale of how an average pizza delivery guy named Jay gets caught in the middle of the largest territorial war in the city of Chicago’s history. As Jay avoids being killed by both sides in this brutal war, he must also prove his innocence to a trigger happy detective who believes he is the catalyst to it all. This hysterical urban comedy was inspired by the J Davis web series called “The MisAdventures of J Davis” which is available to watch on YouTube.

The Hostile Takeover Stars: Jay Davis, Black Jack Johnson, Giovanni Pauletti, Billy Ivy, Latony Vonzaa Gray, Melissa Marie Watson, Roy Metcalf, Natasha Pearl Hansen, Ali Chapman, Regina Calvin, David McNulty, Bill Merker, David Perry, Ray Berryhill and Calvin Harvey. “The Hostile Takeover” will soon be available worldwide through SGL Entertainment.

Official Movie Trailer for The Hostile Takeover:

The Hostile Takeover

The Hostile Takeover

Jay Davis

For more info go to:

www.thehostiletakeovermovie.com

by Jeffrey A Swanson / Publisher / Editor / Writer